LinkedIn is where marketing professionals earn the credibility that job titles alone cannot confer.
In an industry full of self-proclaimed gurus, the practitioners who share specific results—a campaign that underperformed and why, a channel attribution model that changed their budget allocation, a creative hypothesis that actually held up—build reputations that open doors long before anyone checks a résumé.
The content that works best for Communications Directors on LinkedIn is honest and specific.
Benchmark data, campaign teardowns, and contrarian takes on industry orthodoxy consistently outperform inspirational quotes and career announcements.
If you ran an experiment, share the methodology and the result.
If you changed your mind about something, explain what evidence moved you.
Within six months of consistent posting, most Communications Directors report meaningful changes to their professional pipeline: higher-quality inbound interview requests, invitations to speak on podcasts and panels, and direct messages from potential clients who found them through a post before ever visiting their company's website.
LinkedIn becomes a compounding distribution channel that works while you sleep.
- 1
The internal memo that leaked, and what it taught me about writing
A story built on the discipline every comms director preaches: write everything as if it will leak. First-person proof of the maxim lands harder than the maxim itself.
Example postIllustrative example: adapt the structure, but do not claim these names, numbers, companies, or events as your own.
A memo I wrote for our exec team leaked to a competitor two years ago. It was fine. Here's why. I'd written it the way I write everything now: as if it would leak. No language that would embarrass us if a screenshot went public, no characterization of people that wouldn't survive daylight, no numbers we weren't prepared to defend. The leak itself was a minor headache. A one-day story, no real damage. What would have been a real crisis: if the memo had said something different behind closed doors than what we said publicly. It didn't, because I'd stopped writing that way years earlier. Every comms person preaches "write it like it'll leak." I only actually believed it after living through the alternative almost happening. Do you write that way, or do you just say you do?
- 2
Your employees are your most ignored communications channel
A contrarian-flavored argument that employee advocacy beats brand channels on reach and trust, with the internal enablement it requires. CEOs share this one at their comms teams.
Example postIllustrative example: adapt the structure, but do not claim these names, numbers, companies, or events as your own.
Your employees generate more reach than your brand channels. Most comms teams still treat them as an afterthought. We ran the numbers last quarter: our official company page reached 40,000 impressions on our biggest post. The same message, shared by 30 employees in their own words, reached 310,000. Trust follows the same pattern. People trust a peer's opinion about a company roughly three times more than they trust the company's own statement about itself, according to Edelman's Trust Barometer. The gap isn't a secret. What's missing is enablement: giving employees something worth sharing, in a format they can actually post without sounding like a corporate mouthpiece. If your employee advocacy program is a monthly newsletter nobody opens, you have a channel. You just haven't built it yet.
- 3
How I prepare a CEO for a hostile interview
A how-to on bridging techniques, the questions you drill hardest, and the answer lengths that get clipped fairly. Executive-prep craft is high-status content few can write.
Example postIllustrative example: adapt the structure, but do not claim these names, numbers, companies, or events as your own.
I prepped a CEO for a hostile interview last month. Here's the process, stripped of the mystique. We drilled the three questions she was most afraid of, out loud, twenty times each, until the answer stopped sounding rehearsed and started sounding true. I taught her one bridging technique: acknowledge the question directly in one sentence, then pivot to the point she needed to land, every single time, no exceptions. We timed every answer. Anything past 25 seconds gets clipped mid-thought by an editor looking for a soundbite — so we cut everything down to land inside that window. The interview ran 40 minutes. Three lines made every published cut of it, and we'd rehearsed all three the day before. The prep isn't about hiding anything. It's about making sure the true answer is also the short one.
- 4
We measured message pull-through across 40 articles. Sobering results
A data post on how often key messages actually survive into coverage. Measurement rigor is comms' credibility gap with the C-suite, so closing it publicly earns attention.
Example postIllustrative example: adapt the structure, but do not claim these names, numbers, companies, or events as your own.
We measured message pull-through across 40 articles about our last launch. The results were humbling. Our key message — the one line the whole comms plan was built around — appeared verbatim or close to it in 11 of the 40 pieces. That's 27%. A secondary point we'd barely emphasized in briefings showed up in 22 articles, because it happened to be the most quotable line a reporter used from the founder's live remarks. The lesson: message discipline in the briefing room doesn't guarantee message discipline in the coverage. Reporters keep what's quotable, not what's on your one-pager. If you're not measuring pull-through, you're guessing whether your messaging actually worked based on coverage volume alone — which tells you nothing about what actually got through.
- 5
The layoff announcement we rewrote eleven times
An anecdote about the hardest genre in corporate communications: tone, timing, legal constraints, and the line that finally worked. Sensitive-comms craft draws deep professional respect.
Example postIllustrative example: adapt the structure, but do not claim these names, numbers, companies, or events as your own.
We rewrote a layoff announcement eleven times before it went out. Here's what changed between draft one and draft eleven. Draft one buried the number of people affected in paragraph three. Draft eleven led with it, plainly, in the first sentence. Draft one used "restructuring" and "right-sizing." Draft eleven used the word "layoffs," because everyone reading it already knew that's what it was, and the euphemism read as evasive. Draft one thanked affected employees for their "contributions." Draft eleven named what we were actually doing for them: severance terms, benefits timeline, and job-search support, specifically. Legal wanted fewer specifics. Employees needed more. We landed as close to the specific side as legal would allow, because vague language in a moment like this reads as concealment, not caution. There's no good version of this announcement. There's only a more honest one.
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- 6
Five mistakes companies make announcing bad news
A listicle covering Friday burials, euphemism stacking, and answering questions nobody asked while dodging the obvious one. Bad-news playbooks get saved for the day everyone dreads.
Example postIllustrative example: adapt the structure, but do not claim these names, numbers, companies, or events as your own.
Five mistakes I've seen companies make announcing bad news, some of them mine. 1. The Friday afternoon burial. Everyone notices. It just adds a "they tried to hide it" subplot to the actual story. 2. Euphemism stacking — "pivot," "optimize," "right-size" — until nobody can tell what actually happened. 3. Answering questions nobody asked while dodging the one everyone's actually thinking. 4. A statement with no named human behind it. Anonymous corporate voice reads as nobody being accountable. 5. Going dark immediately after the announcement instead of being available for follow-up questions the next day. None of these mistakes come from bad intent. They come from optimizing for looking careful instead of being clear. Clear is what people actually remember afterward.
- 7
AI drafts our first versions now. The approval chaos it created
A trend reaction on what generative tools did to comms workflows: faster drafts, muddier voice, more versions to govern. Operational honesty about AI in comms is rare and welcome.
Example postIllustrative example: adapt the structure, but do not claim these names, numbers, companies, or events as your own.
AI now writes our first drafts. It created a version-control problem nobody warned me about. Drafting time dropped by roughly half. But the number of "versions" being edited in parallel by different stakeholders tripled, because everyone now has a fast way to generate their own edit instead of working from one shared document. Voice got muddier before it got better. The AI draft sounds like nobody in particular, and three different editors nudging it toward "sounding right" produced something that read like a committee wrote it, because one basically did. What fixed it: one person owns final voice on every document, always the same person, and everyone else's AI-assisted edits route through them before anything goes out. The tool made drafting faster. It made governance the actual bottleneck. Worth knowing before you roll this out to a whole team.
- 8
Inside a message-house workshop: how we get 12 execs to one narrative
A behind-the-scenes look at alignment work, the most invisible and most valuable thing comms does. Process transparency positions you as an operator, not a wordsmith.
Example postIllustrative example: adapt the structure, but do not claim these names, numbers, companies, or events as your own.
Getting 12 executives to agree on one narrative is the most invisible work I do, and the most valuable. The workshop starts with everyone's individual version of "why we matter," written independently, no discussion. Usually we get eight different answers from twelve people. Then we find the overlap — not the average, the actual overlap — and build the message house from that, not from what sounds impressive in a boardroom. The hardest part isn't writing the narrative. It's getting a strong-willed exec to give up their favorite phrase because it doesn't test well outside the building. Three hours, one whiteboard, twelve people who each think they already know the answer. When it works, every exec repeats the same three lines in the next earnings call without being told to. That's the actual deliverable.
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- 9
Seven signs your company has a narrative problem, not a media problem
A diagnostic listicle distinguishing strategy gaps from coverage gaps. Reframing posts like this are how comms directors talk their way into strategy rooms.
Example postIllustrative example: adapt the structure, but do not claim these names, numbers, companies, or events as your own.
Seven signs your company has a narrative problem, not a media problem. 1. Every pitch gets a polite pass, never a hard no explaining why. 2. Reporters ask "what do you actually do" after reading your own materials. 3. Your own employees describe the company differently depending on who's asking. 4. Coverage, when you get it, focuses on a feature instead of a category or a mission. 5. Competitors with worse products get better press. 6. Internal messaging changes every quarter with no thread connecting them. 7. Your best spokesperson can't answer "why now" in one sentence. If three or more of these are true, more pitching won't fix it. A clearer story will. That's usually the conversation that gets a comms director into the strategy room instead of the press-release factory.
- 10
Comms leaders: internal or external, which half of your job is harder?
An engagement question that splits the profession down the middle. Both camps argue from war stories, and the thread maps the whole discipline's pain points.
Example postIllustrative example: adapt the structure, but do not claim these names, numbers, companies, or events as your own.
Comms leaders: internal or external comms — which half of your job is actually harder? I used to say external, without hesitation. Media relationships, crisis response, the visible stuff that makes or breaks a reputation in public. Now I think internal is harder, because external comms has a clear audience and a clear win condition. Internal comms has to land with an engineer, a salesperson, and a factory floor supervisor using the exact same memo, and you rarely get direct feedback on whether it worked until something goes wrong. External failures are visible and get fixed fast. Internal failures — a message that confused half the company — can sit unnoticed for months. Which one do you find harder, and why? I want the war stories, not the diplomatic answer.
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Frequently asked questions
What should a communications director post on LinkedIn?
Write at the strategy level: narrative architecture, executive communications, crisis preparedness, and the internal-external alignment work that defines senior comms. Analysis of public communication moments, a CEO apology, a product recall response, showcases your judgment on neutral ground. Avoid discussing your own company's sensitive situations; your craft commentary on others' public moves demonstrates the same expertise with none of the risk.
How often should a communications director post on LinkedIn?
One to two considered posts weekly suits the seniority of the role; comms leaders are judged on signal-to-noise more than most professions. A reliable rhythm: one craft or leadership post, plus one timely analysis when a public communications moment warrants it. Your commenting also carries weight here, since a sharp take on a breaking brand crisis often outperforms anything scheduled.
How do communications directors build a personal brand without conflicting with the corporate one?
Keep clean lanes: the company account announces, you analyze the craft. Post about communication as a discipline, leadership lessons, team building, industry patterns, rather than your employer's news, which you should amplify but not editorialize beyond approved messaging. Agree on ground rules with your CEO once, explicitly. Done well, your visibility becomes a company asset; comms directors with strong personal platforms get their employers better media access too.
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